MAIN - PROCESS - BIOGRAPHIES - ORIGINAL
ARTWORK
PROCESS
The collaborative process began with Osman writing a
poem each evening consisting of fragments of experiences
from that day. She emailed it to Osborne upon completion.
At the end of each day Osborne read and reread the new poem in an attempt
to memorize it. The next day she jotted down the lines that she could remember
and used those words as the text for that day's mark making. This process
continued for ten poems.
Osborne’s artwork is text-based and utilizes elements of chance and
intention. She abstractly writes text with tools ranging from small handmade
brushes to mops and brooms, from syringes to batiking tools. The mediums
in this project include sumi ink, shellac and watercolors. The images in
the book developed simultaneously rather than one image in response to each
poem: memory is a cumulative experience which separates into days.
Osborne created the book as a portfolio of ten unbound sheets
printed five-color offset on acid-free translucent vellum
with additional marks stamped in oil-based etching ink. A
major intent of the project was to question the collaborators’ and
the viewer’s
assumptions about memory. The translucency of the rearrangable
sheets provides metaphors for 1) how each day's experiences
partially obscure the previous day's happenings, and 2) how experiences
become the filter through which we interpret future experiences.
The viewer is invited to share observations, realizations
about memory, such as one person’s observation that the suede tape
binding the portfolio reminded him of the string around the finger as a
means to remember.
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